The Church of God believes in young people! Since its beginning in 1961, Teen Talent has been one of the most exciting and rewarding programs sponsored by the International Department of Youth and Discipleship. Thousands of teenagers have been involved in Teen Talent. This program has been a means of leading teenagers in recognizing and developing their abilities and directing them toward reaching their fullest potential for Christ.
Teen Talent Objectives:
Part One
PURPOSE OF THE MANUAL
To ensure fairness in determining winners, a technical manual of this nature is a necessity. It has been prepared to assist participants, coaches, and parents in understanding the rules and methods of evaluation in the Teen Talent Program and should be studied carefully.
An important goal of the Teen Talent program is to provide feedback in the form of evaluative data on the performance entry of each participant with the objective of encouraging a program of continuous development of skills and talents for the edification of Christ.
This manual is designed primarily for the participant, but it also serves as a guidebook for adjudicators, State/Regional/National Youth & Discipleship Directors, and International Youth & Discipleship Leaders. This manual is the official body of information for all aspects of the competition and should be followed at every level of competition.
Thorough knowledge of this manual will help enable a participant or group of participants to improve their performances in competition.
Part Two
LEVELS OF COMPETITION
State/Regional/National Competition: The State/Regional/National Competition shall be under the direction of the State/Regional/National Director of Youth and Discipleship.
International Competition: The official International Teen Talent Competition for each participating state/region/nation will be conducted bi-annually. The International Director of Youth and Discipleship will arrange and supervise this competition. **Please note that as of the close of competition in 2025, International Teen Talent will fall on the year of the General Assembly. Please see the special statement at cogyd.org/teentalent for more information.
Part Three
PARTICIPATION GUIDELINES FOR ALL DIVISIONS OF TEEN TALENT
Each participant must be 13 to 19 years old within the calendar year (January 1 – December 31). This age ruling includes all Teen Talent participants but does not apply to accompanists, coaches, or directors.
A participant must be a regular attendee of the Church of God.
A participant may represent in competition only one local church from his/her State/Region/Nation.
The State/Regional/National Youth Director may enter the first-place, second-place, and third-place winners in the International Competition.
Performances and pieces in all categories may be changed between State/Regional/National and International Competition as long as the modified pieces are submitted by the International Competition deadline date. Performers may be added or subtracted as long as the change does not move the entry into another category (for example: you can not move from Small Ensemble to Large Ensemble, etc.).
Participants/pieces will be judged according to the rules of the division in which they are entered.
Part Four
STANDARDS OF ADJUDICATION
What standards of performance may an adjudicator reasonably expect of a participant or group of participants? The following comments are highly generalized. It is not the purpose of these descriptions to set up arbitrary standards. Each performance must be adjudicated on its own merit, and in the final analysis, each adjudicator must decide what rating each performance deserves.
Brief descriptions are given below of the type of performance that might be awarded the respective ratings in the competition. These descriptions are offered, not as an attempt to pre-adjudicate any performance, but merely in the hope that they will provide background to assist the participant in understanding the adjudication process.
SUPERIOR (4.5 and above)
This rating represents the finest conceivable performance, worthy of the distinction of being recognized as among the very best. While the adjudicator might find some minor points to criticize and make some helpful suggestions for further improvement, the remarks would generally be complimentary for outstanding work.
EXCELLENT (3.5 - 4.4)
This rating reflects a solid performance in many respects, but not one worthy of the highest rating due to minor defects. Yet, it is a performance of distinction and quality. It is relatively easy for an adjudicator to comment on such a performance because the weaknesses stand out clearly against a generally first-rate background, and suggestions are usually focused on something specific and helpful.
GOOD (2.5 - 3.4)
This rating is awarded for a good performance, but one that is not outstanding. The performance shows the accomplishment and marked promise, but is lacking in one or more essential qualities. This rating indicates much room for improvement in several of the fundamental items listed on the adjudicator’s scoring sheet. The participant would have some basically fine qualities, and there should be ample opportunities for the adjudicator to make suggestions for sound improvement in those fundamental factors in which the performance revealed weaknesses.
FAIR (1.5 - 2.4)
This rating describes a performance that shows some obvious weaknesses. These may simply reflect a lack of rehearsal time or preparation. This rating represents a performance that is generally weak and uncertain. There are numerous errors, and the performance reveals basic weaknesses in most of the fundamental factors listed on the scoring sheet. The adjudicator will probably not devote much space to pointing out specific errors in the performance. The comments, however, will likely be encouraging and contain helpful suggestions for overall improvement.
POOR (1.0 through 1.4)
This rating indicates a performance that reveals much room for improvement. It indicates a performance in which participants reveal almost a complete lack of preparedness and understanding. In some cases, this may be due to contestants attempting to perform material that is far too advanced for their ability. The adjudicators will point out any commendable features and the basic weaknesses in the performance and will make suggestions for improvement. These comments should encourage the participants to work toward improvement so that they may qualify for a higher rating in the future.
Part Five
PROCESS OF ADJUDICATION
Scoring and Participants
The participant’s performance is evaluated according to certain specific factors which are listed on the scoring sheet. A sample of each scoring sheet is included in this manual. Each factor on the adjudication sheet is evaluated and scored.
Tallying the Score
After the judging has been completed, the scoring sheets are collected.
The Adjudicator’s Summary Sheet
Scoring sheets from all the adjudicators for a participant are averaged together to determine the provisional rating for that participant. This average is listed in the summary.
Superior 4.5 and above
Excellent 3.5 – 4.4
Good 2.5 – 3.4
Fair 1.5 – 2.4
Poor 1.0 – 1.4
Determining the Final Rating
The prepared summary of each participant’s performance, with the corresponding scoring sheets attached, is returned to the adjudicators for final analysis.
Winners will be determined, not on an individual point basis, but by the mutual agreement of the adjudicators. The scoring sheets are a guide to assist the judges in making their decisions. In this way, they can study all of the entries on a comparative basis and come to a mutual decision rather than just rating each piece numerically. All decisions of the adjudicators concerning both winners and category designations are final.
Adjudicators' Evaluation of the Participant
Space on each scoring sheet is provided in which the adjudicator may write comments and suggestions to the participant(s) as a current evaluation of their performance, and as a guide for the continuing development of their skills in the future. Within a few weeks after the competition, the State/Regional/National Youth and Discipleship Department should provide each participant(s) a copy of the comments and evaluations from each adjudicator. Through this procedure, the adjudicators have an opportunity to communicate to the participant(s) any observations they wish to make concerning their strengths and weaknesses, and areas that need attention. Positive feedback will be empowering to the youth as they work to further develop their talents. Potentially, this adds a further learning experience to the Teen Talent program.
After the completion of the International Competition, the evaluations are sent to the State/Regional/National Youth Directors for them to administer each participant(s) a copy of the comments and evaluations from the adjudicators.
State/Regional/National Competition:
The State/Regional/National Competition shall be under the direction of the Director of Youth and Discipleship.
First, second, and third places will be awarded in each category and will qualify to be entered in the International Teen Talent finals by their State/Regional/National Director.
International Competition:
The official Teen Talent Competition for each participating State/Region/National will be conducted in the year 2025, and again in the year 2026 with the General Assembly. After 2026, the International Competition will take place each year at the General Assembly.
First, second, and third-place awards will be given.